Raising an Obelisk: Part 2
by Rick Brown
Reprinted from the Number 54, December 1999 issue of Timber Framing.
Our raising apparatus was a derrick of sorts, designed to reduce
the pulling load required to rotate the obelisk cartwheel-fashion
into its final position. Opposed, canted sets of X-braced 10x10s
were tenoned at 45 degrees into a 20-ft. timber sledge framed with
dovetailed ties to hold the runners parallel. Trapezoidal blocks
installed between the canted arm sets increased the compressive
strength of the system.
IOLO Roberts and Wyly lashed the entire structure onto the
obelisk waiting on the ramp (above). Ropes encircled the belly of
the 33-ton beast, then passed over the outstretched arms of our
frame and to the ground. When pulled down, the obelisk would
drop onto a pivot log on the lower bearing wall. Continuing the
pull would bring the obelisk, rotating in its own length, down to
the pedestal stone sitting on grade. In preparation, Wyly gathered
the group together to pay respects to the ancient builders who had
come before us. Now our hard work would be put to the test.
Mark Whitby first tried to pull the obelisk with four 2-in. ropes
stretched over the derrick and down to snatch blocks attached to
telephone poles lashed to two granite deadmen. Later in the day, a
31/2-ton granite counterweight was added to the system to assist the
pull. Later still, a front-end loader (probable Middle Kingdom
technology?) entered the picture. Ropes regularly stretched and
finally broke. The obelisk persistently turned out of its intended
line of rotation. Nearing the end of the day, 170 enthusiastic
pullers lined up in a final attempt to rotate the stone. As the pullers
tugged, inspired by traditional chants, the obelisk would rhythmically
raise its head but the pivot log on which it rested continued to
slide closer and closer to the edge of the bearing wall, too close to
continue safely. The order was given to call it a day. That night,
back at the New Cataract Hotel, the engineers decided to abort the
mission. Once again the mystery of the ancient obelisk builders
remained veiled. Wyly and I stood in amazement. How could we
give up so easily?
At the time, I could not speak for the historical accuracy of the
project, but I believed that if we
gave it more time and paid attention
to some critical details,
this method would succeed.
Mark Lehner, the Egyptologist
on the scene, frequently emphasized
the importance of historical
accuracy in method. His
vigilance and genuine interest
heightened my own. My first
thought was that rigorous organization
must have been the rule
in ancient Egypt, given the vast
numbers of people needed to
build. Our experience in Aswan
showed the importance of carefully
chosen persons for every
specific task. With this in mind,
I eagerly began to develop my
own ideas on how to proceed.
Wyly and I visited several historic
sites on our journey home.
In Karnak and Luxor
we saw obelisks still standing on
their original pedestals. In the
hall at Karnak we walked between
hypostyle stone colonnades of a scale beyond belief. To build these halls, the Egyptians would literally fill the
temple with earth and pull in the large stones on manmade ramps.
The inclined plane and a unified workforce seem to have provided
them with a sufficient method.
For several thousand years, granite was extracted from the Aswan
quarry for ancient monuments and statuary. In the quarry lies an
unfinished obelisk (above right) weighing over 1,000 tons, apparently
abandoned when a crack in the stone was discovered. This
ruin reveals the ancient method used to remove granite from the
quarry. Egyptians cut the stones out of the ground using a dolerite
ball, harder than the granite. Quarrymen would line up shoulder
to shoulder and with the balls pulverize the stone, creating channels
around the perimeter of the desired block. This painstaking
process would continue until they reached the required depth.
Then, by the same means, they would undercut the block until it
could be levered off a narrow remaining spine.
The Egyptians produced a multitude of structures, some of the
largest and most precise in history. They used natural resources:
soil, stone, wood, fibers (for rope), unlimited amounts of sand and
large numbers of people. Through keen observation and experience
they came to know and understand how these materials
would behave under certain conditions. There is no evidence of
pulleys, capstans or the knowledge of iron at this time. As far as we
know, they used only simple mechanical aids such as wedges, levers
and rollers. And so should we.
We are all familiar with the center of gravity of the seesaw at
the school playground. The apparent weightlessness of an
object resting on a fulcrum is a captivating perception. In ancient
times, the discovery of this physical phenomenon may have conferred
near magical powers and generated sacred interpretations.
Dieter Arnold's Building in Egypt (Oxford University Press, 1991)
refers to evidence found in several cities and temples that workers
pivoted large pillars at their center of gravity as early as the Fourth
Dynasty (ca. 2600 B.C.). Once supported at its center of gravity, a
large object can easily be moved by a single person. This technique
will work with a seesaw at the playground, a 250-lb. timber post or
a 500-ton obelisk. We chose to work with this technique as the first
element in our proposed simple system.
R. Englebach in The Problem of the Obelisks (T. Fisher Unwin,
1923) suggests sliding the obelisk down a funneled earthen chamber
to the top surface of the pedestal stone below, using sand
somehow to stand the pillar upright. But this is the equivalent of
driving an automobile through a tunnel without a steering wheel.
It may be possible to get through the tunnel, but much is left to
chance, and at best the obelisk would suffer some bouncing and
bashing of outer surfaces on tunnel walls. This seems a crude way
of handling a polished stone. Further, every obelisk in Egypt was
erected on a pedestal with a pronounced radiused groove, the so-called
turning groove, carved quite near one edge across its top
surface (seen at the back edge of the pedestal in the drawing at
left). This groove would seem to have been designed to receive
the heel of the obelisk at a fairly steep angle and locate it securely
while it was pulled over, or "turned," into its final upright position.
Using a funneled chamber would not be a likely procedure for
arriving at the precise target of the turning groove.
Nonetheless, Julia Cort believed that Englebach's sand method,
adapted by Roger Hopkins in NOVA's 1994 and early 1999
efforts with a two-ton representative obelisk, provided vital information
and was worth pursuing.
Dry sand flows freely. When a hole is placed low in the side of a
box of dry sand, the sand will flow downward through the opening
until the remaining pile reaches an angle of repose, the maximum
slope at which the pile will stand without flowing and bear a load.
In addition, smooth downward movement is a natural characteristic
of sand-flow. Evidence in the papyrus Anastasi I, as translated
by Dieter Arnold, suggests the possibility of lowering a monument
into position by progressively removing the sand from the sides of
a supporting pile in a chamber below: "Empty the space which has
been filled with sand under the monument of thy lord."